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Can time be held, seen, reimagined?

Turn, Turn, Turn invites viewers to consider how artists capture, challenge, and reshape our understandings of time. Through depictions of specific hours of the day, seasonal shifts, and historical moments, the artworks anchor the intangible in the material. Prints by William Hogarth and Utagawa Hiroshige, for example, offer glimpses into daily life across different eras and geographies.

Yet, the concept of timeÌýis much more challenging to render. Resisting linear and progress-oriented notions of time, the artworks in this exhibition open pathways to alternate timelines that reclaim suppressed histories and envision futures beyond the narratives imposed by Western, colonial traditions. Enrique Chagoya, Gade, and Patrick Nagatani propose alternate histories that prioritize cultural hybridity, offering counter narratives to dominant historical accounts. While others meditate on time’s fleeting nature through the motif of the memento mori, Dario Robleto, Antonette Rosato, and Gretchen Marie Schaefer use art to underscore the transience of human life, extending a tradition dating back to artists like Giovanni Battista Piranesi.

Together, these works reveal time not as a fixed reality, but a notion shaped by perception, culture, and power.

On view August 5, 2025–July 2026.

As the climate crisis challenges the viability of conventional material systems, Biogenic Futures: Women Shaping Material Ecologies highlights the transformative potential of biomaterials and their capacity to reshape our built environment through care, resilience, and innovation.

This exhibition proposes a reorientation of design culture toward stewardship and co-creation—fostering collaboration across disciplines and institutions. By bridging the gap between research and application, artists in this exhibition catalyze new partnerships, advance open-source experimentation, and celebrate the underrecognized leadership of women in this vital field. On view September 5–December 19, 2025.