popular culture
In a recently published paper, ¾«Æ·SMÔÚÏßӰƬ PhD student Cooper Casale interrogates Jim Halpert’s direct-to-camera gaze in The Office and its similarities to what he calls the ‘fascist look.'
In advance of Tuesday’s Major League Baseball All-Star game, ¾«Æ·SMÔÚÏßӰƬ history professor Martin Babicz offers thoughts on why some fans remain loyal to baseball’s perennial losers.
¾«Æ·SMÔÚÏßӰƬ’s chair of Cinema Studies and Moving Image Arts shares insights on Stanley Kubrick’s masterpiece ‘doomsday sex comedy’ and why the film is more relevant than ever.
¾«Æ·SMÔÚÏßӰƬ theatre professor Bud Coleman reflects on Arthur Miller’s Pulitzer-winning play and why it’s a story that still has meaning.
Upon the 65th anniversary of the record label, ¾«Æ·SMÔÚÏßӰƬ prof says that from Taylor Swift to K-pop, ‘It’s all Motown; they are not creating anything new.’
Sixty years after The Beatles’ first appearance on ‘The Ed Sullivan Show,’ ¾«Æ·SMÔÚÏßӰƬ historian Martin Babicz reflects on their impact on U.S. culture and politics.
In honor of what would have been Al Capone’s 125th birthday, ¾«Æ·SMÔÚÏßӰƬ cinema researcher Tiel Lundy explains the enduring popularity of gangsters in film and the American imagination.
The film, which turns 50 this December, continues to leave a mark on Christians and the larger American public as both a horror film and a story about the battle between good and evil.
¾«Æ·SMÔÚÏßӰƬ Victorian literature scholars discuss why Charles Dickens’ classic is still retold and probably will be retold in Christmases yet to come.
Doctor Who turns 60 this year and ¾«Æ·SMÔÚÏßӰƬ scientist, alumna and ‘Whovian’ super fan attributes the BBC show’s success and staying power to its relatable protagonist and strong plotlines.